Showing posts with label Beirut. Show all posts
Showing posts with label Beirut. Show all posts

Sunday, January 25, 2009

Realpeople - Holland EP

The first thing you notice is an absence of the exotic flare so prevalent in every previous release by Beirut's Zach Condon (tagged here as Realpeople, one of his pre-Beirut pseudonyms). No horn section or accordion sweeping you away to some foreign European festivity, but rather the image of a dude hunched over his Casio CZ-101 poking the keys meticulously with only his two index fingers. Don't freak out yet, be patient as Condon's melodic crooning enters the scene and makes everything ok.
Althought the backing music may not reveal, the opening track "My Night With The Prostitute From Marseille" revisits Condon's fascination with Europe, as he sings about morals and an encounter with...well, read the title. Only Condon's delicate voice and phrasing could make such a relationship sound so romantic.

More synthesized beats and melodies follow on "My Wife, Lost in the Wild", and once again Condon's vocals bring everything together to enhance the track as a whole. Then, as if he knew we'd be waiting for it, "Venice" incorporates the sounds of Beirut with brief yet perfectly placed horns nestled by a Zero 7-like echoing ambiance.

Continuing with what he knows best, more horns and accordion lead the way through "The Concubine", the track most similar to Condon's prior releases. But, not for long, as the final track "No Dice" returns to the synth accompaniment like the opener, this time slightly more upbeat. This instrumental is so far at the other end of the spectrum than what we are used to from Condon; I'm amazed it came from the same mind that wrote "Elephant Gun".

As fans of an artist, we rarely appreciate when they deviate from what made you love them in the first place...unless, of course, it's good. In Condon's case, I respect his exploration into the pop/synth genre, and think he made a commendable attempt. His vocal delivery, alluring lyrics and often clever fusion of electronic and acoustic sounds make this an interesting listen to say the least; but I think the multi-cultural sound he has going with Beirut has more intriguing paths to follow other than this one.

Iggy


Friday, January 23, 2009

Beirut - March of the Zapotec EP

We begin with a Mexican parade. This isn’t your “Mexico-day” in Columbus, Ohio parade. This is an authentic Mexican funeral parade, filling the streets and passing by on the way through your village. This is exactly how Beirut’s Zach Condon starts out his newly leaked EP, March of the Zapotec.

After “El Zocalo’s” prologue, “La Llorona” starts like the Beirut you’ve loved in Flying Club Cup and Gulag Orkestar. It has the haunting sadness of the Eastern European gypsy aesthetic with the grandeur and bouncing flow of the small town obscure Mexicans he merged with. You still want to wave your hand along with the tubas, interjecting clarinets and accordions.

“My Wife” should feature a gunslinger with the opening horns. I can do nothing but picture a silent cowboy film, the mariachis playing on the side of the screen. Robert Rodriguez could use this entire track for any of his Desperado features.

“The Akara” is the saddest track on Zapotec, rolling into a ukulele base and waltzing around a grand hall. While most of Condon’s songs never venture into any realm of happiness, this song especially feels like sadness. Listening now, I’m still amazed how well he can switch his sound so flawlessly from gypsy folk to Mexican troubadour. “On a Bayonet” acts as an extension of “Akara”, an Act II in the EP that slightly complicates the plot – still sad, but change is coming.

I’ve been referring to this EP as a story for a reason. Listen to it and you’ll figure it out. Condon conceived the idea for Zapotec in early discussions about recording a movie soundtrack in Mexico. This morphed into his idea of hiring a local Mexican band to help him record some new material. He hired a translator, caught a plane to Oaxaca, and made his way out to the tiny weaver village of Teotitlan del Valle, where he met the nineteen members of The Jimenez Band.

I’ve included my absolute favorite song of the EP, the epilogue, “The Shrew”. I’d like you to listen to it, form your own opinions, and either leave a comment, or send us an email at theabcorder@gmail.com.

The Count


New leaked EPs from Beirut! Free download!

A free download of Beirut's new leaked double EP, March of the Zapotec and Holland. We wanted to post quickly, so we haven't even had a chance to listen yet, this is just for you! Enjoy it as we surely will!

Download here

Tracklisting

Disc 1 - March of the Zapotec:

1 - El Zocalo
2 - La Llorona
3 - My Wife
4 - The Akara
5 - On a Bayonet
6 - The Shrew

Disc 2 - Holland:

1 - My Night With the Prostitute From Marseille
2 - My Wife, Lost in the World
3 - Venice
4 - The Concubine
5 - No Dice

A TAO review coming soon!